Opera
Wolfgang Amadeus Mozart
The marriage of Figaro
22 Apr, 22 - 12 May, 22
Conductor: Ivor Bolton | Stage director: Claus Guth | Titular Chorus and Orchestra of the Teatro Real
Lorenzo Da Ponte, librettist of the Le nozze di Figaro, had to replace the speech with which Figaro concludes his critique of nobility in an aria directed against the infidelity of women –«Aprite un po’ quegli occhi»– so that Joseph II of Austria would revoke his decision to prohibit the controversial comedy with revolutionaries touches by Pierre Beaumarchais. In spite of this, none of the changes made by the librettist diminished in the least the subversive subtext which was projected up until our times: the brilliant and intelligent denunciation of tyranny and patriarchy which has existed forever. In all truth, opera buffa was – from the times of La serva padrona– a universe of fiction in which a woman of a lower social class could prevail over a man of a higher stratum with audacity and a never ending smile. However, Le nozze di Figaro took this framework to a level never seen before, in which the characters are less in control of the situation the further up the social scale ( and gender) they find themselves.
Opera buffa in four acts
Music by Wolfgang A. Mozart (1756-1791)
Libretto by Lorenzo da Ponte, based in the comedy le Folle Journée, ou le Mariage de Figaro (1784) by Pierre-Augustin Caron of Beaumarchais
Premiered in the Burgtheater de Viena on May 1st, 1786
Premeired in the Teatro Real on February 12th, 1903
Canadian Opera Company production from the Salzburg Festival
ARTISTIC TEAM
Musical director I Ivor Bolton
Stage director I Claus Guth
Set and costumes design I Christian Schmidt
Iluminador I Olaf Winter
Video | Andi A Müller
Choreographer | Ramses Sigl
Choir director I Andrés Máspero
Titular Choir and Orchestra of the Teatro Real
(Coro Intermezzo / Orquesta Sinfónica de Madrid)
CAST
El Conde de Almaviva I André Schuen - 22, 26, 28, 30 abr; 5, 7, 11 may
I Joan Martín-Royo - 24, 27, 29 abr; 2, 10, 12 may
La Condesa de Almaviva I María José Moreno - 22, 26, 28, 30 abr; 5, 7, 11 may
I Miren Urbieta-Vega - 24, 27, 29 abr; 2, 10, 12 may
Susanna I Julie Fuchs - 22, 26, 28, 30 abr; 5, 7, 11 may
I Elena Sancho Pereg - 24, 27, 29 abr; 2, 10, 12 may
Figaro I Vito Priante - 22, 26, 28, 30 abr; 5, 7, 11 may
I Thomas Oliemans - 24, 27, 29 abr; 2, 10, 12 may
Cherubino I Rachael Wilson - 22, 26, 28, 30 abr; 5, 7, 11 may
I Maite Beaumont - 24, 27, 29 abr; 2, 10, 12 may
Marcellina I Monica Bacelli - 22, 26, 28, 30 abr; 2, 5, 7, 11 may
I Gemma Coma-Alabert - 24, 27, 29 abr; 10, 12 may
Bartolo I Fernando Radó - 22, 26, 28, 30 abr; 5, 7, 11 may
I Daniel Giulianini - 24, 27, 29 abr; 2, 10, 12 may
Basilio I Christopher Mortagne
Don Curzio I Moisés Marín
Barbarina I Alexandra Flood
Antonio I Leonardo Galeazzi
Artistic information
Creative team
Cast
Releases
Tickets on sale
20 January
2022Performances
- Date/hour
- Space
- Cast
- Subscription ticket
22 April 2022
19:30
Main Auditorium
24 April 2022
18:00
Main Auditorium
26 April 2022
19:30
Main Auditorium
27 April 2022
19:30
Main Auditorium
28 April 2022
19:30
Main Auditorium
29 April 2022
19:30
Main Auditorium
30 April 2022
19:30
Main Auditorium
02 May 2022
19:30
Main Auditorium
05 May 2022
19:30
Main Auditorium
07 May 2022
19:30
Main Auditorium
10 May 2022
19:30
Main Auditorium
11 May 2022
19:30
Main Auditorium
12 May 2022
19:30
Main Auditorium
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